After
graduating from high school, where she fell prey to the acting bug, Olivia
enrolled in Mills College in Oakland. It was while she was at Mills that she
participated in the school play, "A Midsummer Night's Dream", that she
was spotted by a talent scout who represented Max Reinhardt. Reinhardt was
planning a national tour of the play to begin at the Hollywood Bowl.
De Havilland traveled to Hollywood to audition and was selected as second
understudy to the actress playing Hermia. Before opening night the
actress and her first understudy were called to make a movie, leaving
Olivia to undertake the role. She was so impressive in the
production that a producer at Warner Brothers convinced Jack Warner to fly
out from New York to see de Havilland. She, again, was so impressive that Warner executives
signed her to a seven year contract.
Olivia began playing
opposite newcxomer Errol Flynn in films such as Captain Blood and The
Charge of the Light Brigade. Flynn and Olivia were to star in a
string of eight "hero rescues damsel" productions together during their
careers.
In 1939, Warner Bros. loaned her to David O. Selznick for the famed
production called GWTW. Playing the sweet Melanie Hamilton, Olivia
received her first nomination for an Academy Award
for Best Supporting Actress for the role, only losing out to one of her co-stars
in the film, Hattie McDaniel. After GWTW, Olivia returned to Warner Bros. and
continued to churn out films. In 1941, Olivia played Emmy Brown in Hold Back
the Dawn, which resulted in her second nomination for an Oscar, this time for Best
Actress. This time she lost to her sister, Joan, for her role in Suspicion
After strong
showing for Hold Back the Dawn, Olivia now demanded better acting roles instead of
the being typecast in "sweet" roles. The studio responded by placing
her under a six month suspension. All the studios at the time were under the
assumption that players were nothing more than property to do with as they saw
fit. If that wasn't bad enough, when her contract with the studio was up, Warner
said Olivia would have to make up the lost time because of the suspension.
Irate, Olivia sued the studio. During the time of the court battle, Olivia
didn't appear in a single film. The result, however, was worth the wait. In a
landmark decision, the courts said that not only did Olivia not have to make up
the time, but all performers were to be limited to a seven year contract which
would include any suspensions handed down. This became known as the De Havilland
Law. Now studios couldn't treat their performers as mere cattle.
Returning to
screen in 1946, Olivia responded by appearing in four films. One in particular
won her that elusive Oscar. It was To Each His Own where she played Josephine
Norris to the delight of critics and audiences alike. Olivia was the strongest
performer in Hollywood for the balance of the 1940's. In 1948, she turned in
another strong showing in The Snake Pit as Virginia Cunningham, a woman
suffering a mental breakdown. The end result was another Oscar nomination for
Best Actress. She lost to Jane Wyman in Johnny Belinda. As in the two previous
years, she made only one film in 1949, but again won a nomination and the
Academy Award for Best Actress
in The Heiress. After a three year hiatus, Olivia returned in 1952 to star in
My Cousin Rachel. From that point on she made few appearances on the silver screen,
but was seen on Broadway
and some television shows.
Her last screen appearance was The
Fifth Musketeer in
1979. Her last appearance anywhere was in the TV movie The Woman He Loved.
During the hoopla surrounding the 50th anniversary of GWTW in 1989, she
graciously declined requests for all interviews as the only surviving member of
the four main stars. Today she enjoys a quiet retirement at the age of 83.